Showing posts with label Holon. Show all posts
Showing posts with label Holon. Show all posts

Sunday, 10 August 2025

Colour

Back in December I went to see the exhibition "Colour" at the Design Museum in Holon. The exhibition explored the subject of colour from a variety of perspectives: how we understand, perceive, and interpret colour, how it affects objects, and how a specific colour becomes associated with a value, product, or abstract concept. It showcased the works of some 30 Israeli designers from various design disciplines: product design, textile design, visual communication, fashion, and illustration. Most of the pieces were specially created for the exhibition and were being displayed for the first time.
The lower gallery of the museum featured projects concerned with colour as a material, exploring how it comes into being by means of both innovative and traditional technologies. The upper gallery showcased works that demonstrated how surroundings and experiences are created using colours.
The most interesting part of the exhibition for me was in the museum's peripheral gallery. Displays explored colour trends and the historical and cultural reasons for choosing a certain colour to represent a particular idea.
I learnt about the 17 different colours of berets that Israel Defence Forces (IDF) soldiers wear and the reasons the colours were chosen, above. Initially, most soldiers wore olive-green berets. Over time, however, different colours came to be identified with different military corps and brigades. For instance, the colour red was chosen for the berets worn by paratroopers, since it is identified with paratrooper units worldwide; brown is the colour of the berets worn by Golani soldiers, representing a connection to the earth and to roots; the green colour of the Nahal beret represents the brigade's affinity with agriculture and settlement building; until 2000, the artillery corps wore black berets. It was then decided to change the colour to turquoise, symbolizing the sky that the artillery passes through, and thus strengthening the soldiers' sense of pride. And what about the purple beret worn by Givati soldiers? The Hebrew word for purple, sagol, is associated with violet flowers, sigaliyot (violets). It is also related to the brigade's motto, which contains the word segula (select, chosen), sharing same root with the word sagol.
Another display showed pigments produced from soil samples from the Ramon Crater mixed into white clay, above, highlighting the crater's profusion of natural earth tones, which vary from intense orange to deep purple.
The team colours of the Israeli football clubs have relevance too. The colour red has been identified with Hapoel Tel Aviv since its foundation in 1926, above. The club's crest features a figure throwing an iron ball alongside the Soviet hammer and sickle, which represented the working class. The blood shed as part of the struggle for workers' rights was symbolized by the colour red as a representation of self-sacrifice, courage, rebellion and freedom. By contrast, the yellow colour of the Maccabi Tel Aviv kit came to be associated with the team only in 1942, when it was chosen as a means of identification with the European Jews persecuted by the Nazis and forced to wear the Yellow Star. 
The Flag of all Flags project, above, was displayed at the entrance to the museum's upper gallery. The flag is a composition of various flat shapes, symbols and colours that forms one playful and vibrant flag - a flag of visual optimism. Recognizing how flags are often used for bad purposes, generating an "us vs. them" sentiment, this flag was created aims to unite rather than divide. It has a little bit of everything in it!
Sticky Mud and Belly Laughs
My Corner of the World

Thursday, 4 November 2021

"The Ball", Design Museum of Holon

I first blogged about the Design Museum in Holon back in 2011, when it was a little over a year old. I have been back to see other exhibitions there over the years and recently was lucky enough to catch their current exhibition "The Ball", which is dedicated to Israel's evening and bridal gowns fashion industry. It features some 120 ball gowns representing both historical and contemporary designs, and some 50 accessories created especially for the exhibition by Israel's top designers.
The exhibition is divided into four sections. We began our visit in the Lower Gallery of the museum where a historical timeline of garments, "Re-sewing the History of the Ball", featured reconstructions of historical pieces. Designed with historical accuracy by the costume historian and creator Moni Mednik, the all white cotton muslin garments demonstrated the changes in the design of ball gowns and evening wear as they evolved from the 18th century, through the world wars, the Great Depression and up to the 80s.
We moved on to "The Whipping Room and the Mad Hatter", a stunning installation which brought together the works of the hatter Maor Zabar and the pastry chef Alon Shabo. The exhibition was intended as a playful look at the desserts that added a sweet touch to the balls. On display were 23 towers consisting of about 6,500 macaroons, 122 wedding cakes, tiered cakes and personal desserts, hand-sculpted from 500 kilos of sugar, almond powder, as well as cement and Styrofoam! All the dessert sculptures on display were handmade over 1,000 hours.
Zabar's hats were all handmade and inspired by desserts such as a toffee apples, Black Forest gâteau and candyfloss. A fashion designer by training, Zabar used unconventional materials, extreme proportions and angles that challenge gravity in the design of the 15 hats exhibited. They combined humour with surrealism and were a delight to see!
Next we took a look at the section of the exhibition called "Heart of Glass: A Journey in the Footsteps of Cinderella's Slippers". As Cinderella learned, the "look" can't be complete without shoes. A collaboration with Formlabs, which specialises in 3D printing, this section took us on a tour of various cultural incarnations of the Cinderella shoe, from 9th century China to thoughts of futuristic Cinderellas. The process of creating each shoe included sculpture, printing that lasted about 12 hours, dipping the shoe in alcohol and sanding with a manual finish, which gave it the glass look.
The Margalit Gallery displayed the work "11:59PM" by Idit Barak, which brought together ball gowns familiar from fairy tales using 10,000 metres of fibre optics, below. The thousands of lights glimmering in the darkness formed the silhouette of an opulent ball gown.
Then we went upstairs, to the Upper Gallery of the Design Museum, where "The Modern Ball: Israeli Couture" was on display. This section of the exhibition offered a glimpse into Israel's evening-wear industry through bridal gowns and evening gowns made by leading designers in the country. The curator of the exhibition, Yaara Keydar, wanted to show that the ball is no longer limited to Europe. It was important for her to include the Israeli perspective on proms and balls as well.
Lihi Hod, Shlomi Anteby, Maya Naé, "If You Will It, It Is A Fairy Tale."
The 82 dresses on display show the scope of the industry in Israel, which is at international standards. Even though we are in the Middle East, you could clearly see European history through the dresses, through puffed sleeves, crinoline and corsets. Highlights included dresses designed by Alon Livne and worn by Lady Gaga and Katy Perry and a dress sewn from 15,000 old Israeli coins designed by Shai Shalom. Other striking designs included the Israeli musician Ninet Tayeb's wedding dress, designed by Victor Vivi Bellaish and Gadi Elimelech, colourful tulle dresses designed by Shahar Avnet, a digitally printed wedding dress designed by Lihi Hod, as well as a modest, ultra-Orthodox gown by Brurya Haritan.
The opening of the exhibition was postponed several times due to the pandemic. It finally opened in July but was definitely worth the wait! The design and colour of the displays were such a treat and I especially loved Maor Zabar's dessert hats.
"The Ball" is on display at the Design Museum Holon until December 11th.​​

Sunday, 10 July 2016

Hosmasa and Mikve Yisrael

Not long ago Mister Handmade in Israel and I spent the day in the nearby city of Holon. The city was founded on sand dunes six kilometres from Tel Aviv in 1935 (the name comes from the Hebrew word holon, meaning "(little) sand") and in the early months of the 1948 Arab–Israeli War was on the front line. Several historic landmarks have been preserved in Holon including the Derech Habitachon ("Security Road") paved during the Israeli War of Independence, water towers, The Pillbox guard post, and Hosmasa, a building used by the Haganah and our first port of call.
Hosmasa was built in 1934 in the International Style, also known as "Bauhaus", and served as a secret training base for Haganah members from Holon and the area. (The Haganah was a Jewish paramilitary organisation in the British Mandate of Palestine (1921–48), which became the core of the Israel Defence Forces (IDF)). Hosmasa was built over a well in a sandy and barren area, making it possible to have a training system hidden from the British, and was home to a guard and his family. Training was performed with weapons which were buried in the area and slicks (hiding places for weapons that were illegal during the British Mandate) in the well and the garden surrounding the building. Thousands of trainees came from Tel Aviv and central Israel to participate in the training of firearms, fortifications, radio, first aid, and courses in topography and more. During the War of Independence Hosmasa served as a station on the security road which connected Tel Aviv with the southern settlements and led to Jerusalem and the Negev. Convoys used it to transport supplies and equipment, food, weapons, ammunition and people to far off and besieged settlements.
Today the building houses a display on the Haganah in Holon before and during the War of Independence through photos, documents, objects and interactive presentations. A Davidka mortar, a homemade mortar used during the early stages of the war, above, which was first tested at Hosmasa, can be found in the garden, as well as slicks for hiding weapons and the Hosmasa well, dug deeper to become the neighbourhoods first source of water in the 1930’s and then also used as a slick.
The next place we visited was the restored buildings of the Mikve Yisrael Agricultural School. Mikve Yisrael was founded in 1870 by Charles Netter, one of the founders of the French organisation Alliance Israelite Universelle, a Paris-based international Jewish organisation. He had visited Palestine in 1868 and felt it was an imperative to train Jewish residents of the country how to work the land. The country’s Ottoman Turkish rulers allocated 750 acres to Netter’s project. Baron Edmond James de Rothschild also contributed to the upkeep of the school. Netter gave the agricultural school the name Mikve Yisrael, where mikve means hope, and over the years Mikve Yisrael played an important role in the development of agriculture in the country.
The day we visited we stopped by the Mikve Yisrael synagogue (in the 19th century it was obvious that a Jewish school must have a synagogue), descended deep underground to the cool arched halls of the stone carved wine cellar, visited the reconstructed mechanical workshop in which the Davidka, the first Israeli mortar, was invented in 1948, then walked through the botanical gardens founded by Mikve Yisrael's principal, Eliyahu Krauzer, in 1924. Krauzer had two main goals when creating the gardens. He needed a testing ground for trees from all over the world in an effort to learn which could be adapted in Israel, and also wanted it to be a learning experience for the pupils. Krauzer collected Lebanese cedars, conifers, eucalyptus, strawberries, legumes and spices from different nurseries in Israel and abroad. It was also under Krauzer's leadership that the language of instruction at Mikve Yisrael was changed to Hebrew, after years of education in French. 
The Mikve Yisrael synagogue's main entrance is located directly across from a beautiful garden and a boulevard of palm trees. The trees lead to what was, for many years, the school’s gate. In 1898, Theodor Herzl, the visionary behind modern Zionism and the re-institution of a Jewish homeland, passed through the gate when he visited Mikve, prior to what he hoped would be a fruitful meeting with the powerful German Kaiser Wilhelm II. Unfortunately the German monarch withdrew his initial offer of support for Jewish settlement in the land of Israel. It seems that he did not want to upset his allies, the Ottomans, or the Christians back home in Germany. There is a statue commemorating the meeting here between Herzl and Kaiser Wilhelm II, showing the Kaiser and his horse sliced into two pieces – symbolising how Herzl cut through bureaucracy and red tape to get a Jewish state. Unfortunately we forgot to look for it on the day we visited!
Over the years, Mikve Israel not only educated tens of thousands of children but it also contributed to the underground efforts to establish a Jewish homeland. Teachers and students of the school were active members of the Haganah, which conducted training in the school's wine cellar and storerooms. A slik, bullets and exploding bricks were discovered in the largest underground chamber during restoration. It was here that young men and women were sworn into the Haganah, and their Bible, a gun and a copy of the oath are on display. The room, where all kinds of ceremonies are held today, also features a secret exit that would allow Haganah soldiers to escape during a British raid. The roots growing through the walls of the wine cellar give these underground chambers an air of mystery, which goes with the story of the young people sworn into the ranks of the Haganah here in pre-State days.
In the mechanical workshop in the school grounds, an underground weapons factory was established. David Leibovitz, a teacher at the school, was instrumental in developing new weapons for the Haganah. Grenades were produced, with the letters USA added, so that the British would assume that they were manufactured overseas. Leibovitz's most famous and important creation was the Davidka, the homemade Jewish mortar. Named after its builder, only a few of these weapons were produced.
Though not that many of the founders original goals were achieved at Mikve Yisrael, the school continued to develop Jewish settlement in Palestine and took part in the most dramatic chapters of Israel’s history. It acted as a base for the Haganah and became a home for waves of new immigrant children, particularly those who ran away from Western Europe just before the start of the Holocaust. To this day, though Mikve Yisrael was originally established as a secular school, the school educates Orthodox and non-Orthodox boys and girls. There are over 1,500 students at Mikve Yisrael and it is considered excellent in its region.