It's time to write the last blog post about our mini-break in the
Galilee area during the summer. I have already blogged about the
Ein Afek Nature Reserve and the
Yehi'am Fortress. We were lucky enough to visit a few more interesting places, starting with the Kfar Yehoshua Railway Station site next to Moshav Kfar Yehoshua in the western part of the
Jezreel Valley.
Surrounded by a grove of tall eucalyptus trees, the old train station of Kfar Yehoshua has been recently restored and turned into a museum. Kfar Yehoshua (
Tel El Shamam) was the largest station between Haifa and Afula on the Valley Train line and operated for nearly 50 years. The Valley Train, which ran along the length of the Jezreel Valley, was built in the early 20th century by the Turks, under German supervision, to provide supplies to the construction of the larger
Hejaz Railway, which connected Istanbul with Mecca, via Jordan. The railway’s branch in Israel was called the Valley Train and as a by product served to help develop the area of the Lower Galilee.
Seven
Templar style stone buildings, including a water tower and a well, can be seen at the site, as well as three freight cars – two dating from the time of the
British Mandate and an authentic one from the time of construction of the Valley Train. The visitor centre, in one of the single storey stone buildings, houses an interesting display that recreates the story of the Valley Train and its main stations. Work is now complete on a new railway in the area, although it does not follow exactly the same route.
We stayed at the Bait V'Kait guesthouse at Kibbutz Lohamei Hagetaot. The kibbutz was founded in 1949 on the coastal highway between
Acre and
Nahariya. Its founding members include surviving fighters of the
Warsaw Ghetto Uprising, as well as former
Jewish partisans and other
Holocaust survivors. Its name commemorates the
Jews who fought the
Nazis.
At the entrance to the kibbutz are the extensive remains of an
aqueduct which supplied water to
Acre some 6km away, until 1948. The aqueduct was originally built at the end of the 18th century by
Jezzar Pasha, the
Ottoman ruler of Acre, but was completely rebuilt by his son, Suleiman, in 1814. It was the most important engineering project undertaken by the Turks during their rule in this country. This beautiful aqueduct was built with stone arches and in some places rests on pillars 10 metres high.
Other sites we visited included the Bahá’í Gardens in Acre. These circular gardens, now a UNESCO World Heritage Site, surround the historic mansion where
Bahá’u’lláh, the Prophet-Founder of the Bahá’í Faith, spent the final years of his life and the shrine where his remains were placed. This is one of the two holiest sites associated with the founders of the Bahá’í religion. The other holy site is the
Bahá’í Gardens in Haifa, which contains the Holy Shrine of the Bab.
We were unable to visit the inner garden surrounding the historic building and shrine, yet enjoyed the extensive outer gardens and perimeter path which were truly a sight to behold. Formal, precise and sculpted to perfection, the gardens are immaculate and are very much worth a visit.
The Bahá’í Faith began in 1844 in Siraz, Iran.
Siyyid Ali Muhammad Shirazi, the prophet Bab, attempted to spread his beliefs but was faced with opposition from the Shia clergy. Despite gaining thousands of followers, he was executed after just six years. Mirza Husayn Ali Nuri, Baha’u’llah, continued his efforts. Baha’u’llah was expelled to a prison belonging to the Ottoman Empire in Acre. When he was released, he spent nine years living under house arrest, including the home that is a centrepiece in Acre’s Bahá’í Gardens.
Today, there are about five million people around the world who are followers of the Bahá’í faith.
Back at Kibbutz Lohamei Hagetaot we visited the studio of the artist
Moshe Kupferman, one of the founding members of the kibbutz. During his early years in the kibbutz Kupferman worked in construction but in 1967 he began to devote himself solely to work at his studio - "the atelier". Today the halls which he used as a combined space for work and for storage of paintings, works on paper, and prints, are used for a permanent display of his selected works and also for group exhibitions.
Kupferman was most well known for his abstract paintings in monochromatic tones. In spite of the abstract character of his works they do however show a political-historical connection. In 1984, following the
Sabra and Shatilla Massacre, he published an album of drawings called "With Beirut after Beirut with Beirut."
Throughout the years, Kupferman exhibited in important galleries and museums, in Israel and all over the world, and won many prizes and acclaims. He died in June 2003.
Near to Kupferman's House is the studio of
Koby Sibony - Metal Wire Designer. Koby graduated from the Industrial Design department at the
Bezalel Academy of Art and Design in Jerusalem and in 2011 opened his studio on the kibbutz. Sculpting with wire, his work borders on the edge between art and design. His series of sculptures
"Ocean Parts" is created from a combination of plastic pieces collected from the beach and metal wire. I was thrilled to be able to buy a small piece of his work from his
taxidermy series. Koby's creations are being exhibited in art and design exhibitions both in Israel and abroad.
Finally, we kept the hardest place to visit till the last day of our trip.
The Ghetto Fighters' House was the first Holocaust museum in the world but also the first of its kind to be founded by Holocaust survivors. It was established in the spring of 1949 by members of Kibbutz Lohamei Hagetaot. The museum tells the story of the Holocaust during World War II, emphasising the bravery, spiritual triumph and the incredible ability of the survivors to rebuild their lives in a new country of which they had dreamed – the State of Israel.
The museum is well divided into specific exhibits and each deals with different events of the Holocaust as well as the resistance during that time. The displays and commentaries were incredibly moving.
Among the permanent exhibitions are the Treblinka Hall that has on display a scale model of the Treblinka Death Camp, a large exhibition about the
Warsaw Ghetto, one on the
Jewish Resistance, and another about the
Righteous among the Nations.
In 1995 the Yad Layeled Children’s Memorial Museum was established at the Ghetto Fighters’ House. Serving as both a children's educational museum and memorial, Yad Layeled has two main goals: to commemorate the million and a half children who perished during the Holocaust and to continuously tell the story of the children who survived. The museum exhibitions are based on authentic stories taken from diaries and testimonies of children who lived during the Holocaust.